當事物映入眼簾，引發的是一連串與自身心理現象交互作用而形成的感知體驗，被審美對象對觀察者而言不是客觀的存在；人類會把自己心裡的內在和感受投射於客觀世界中，而大腦裡反映的是自己的內在特質與意識狀態。二十二件作品〈吾境〉即屬於此類，我以拍攝代替書寫，探索與記錄眼見所及的外在世界；含著內在情感，以及永遠無法抽離現實的意識。並且大量運用比白色深些、比黑色淺些的灰色；對我來說，它完美的中立性是如同「孤寂」的價值。這並不是一個負面的字眼，而是一個潛在的能量，如同時間和經歷會把人磨練成發亮的灰色。必須聲明的是，這個系列關注的焦點並不是「孤寂」，也無意在最後轉向它；縱然它似乎於偶然中必然成為創作者觀看世界的一面鏡子。

關乎於拍與不拍的抉擇，再製圖像的選定、擷取；但其實許多時候一切行為只是根據自身的直覺與喜好，最多大至某種難以言喻的共鳴之情。回看作品，審視的是創作者如何試圖與生活空間、周遭環境產生連結；並在最後提出「我認為所見之物是獨立、寧靜的存在，其實是反映抑或期許自己是個獨立、平靜的人？」灰底字詞請觀者套入自我詮釋的試問。

When things come into people's view, which triggers a series of perceptive experiences formed by interactions with their own psychological phenomena. The object of aesthetics is not an objective existence for the observer; human beings will project the inner and inner feelings of their own hearts into the objective world. Their brains reflect the inner qualities and states of consciousness. Twenty-two works, Projection, belong to this category. I use photography instead of writing, exploring and recording the external world that I see; the inner feelings, and the consciousness that can never be separated from reality. Moreover, I used a lot of gray which is darker than white and lighter than black; for me, its perfect neutrality is like the value of "loneness." This is not a negative word, but a potential energy, as time and experience will honed people into a shiny gray. It must be stated that the focus of this series is not "lonely", nor is it intended to turn to it at the end; even though it seems to be a mirror of the creator's view of the world by chance.

Regarding the choice of shooting and not shooting, re-selecting and capturing images; but in fact, many times, all behaviors are based on my own intuition and preferences, up to an indescribable resonance. Looking back at the work, I look at how the creators try to connect with the living space and the surrounding environment. Finally, I put forward "I think that what I see is an independent and quiet existence. Is it actually reflecting or expecting that I am an independent and calm person?" The words on the gray for inviting the viewers to bring in their self-interpretations.